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The S+T+ARTS Prize 2025 winners featured on XRMust, showcasing projects at the intersection of art, science, and technology

The S+T+ARTS Prize 2025 winners are now featured on XRMust, highlighting projects at the intersection of art, science, and technology. From Sarah Ciston’s AI War Cloud Database to LAS Art Foundation’s Sensing Quantum the article explores how artists and researchers are addressing pressing social, political, and ecological issues through creative innovation.

 
Marco Barotti’s Coral Sonic Resilience installation, transforming seabed data into immersive soundscapes, highlighted in La Stampa.

Italian artist Marco Barotti’s Coral Sonic Resilience earned an honorable mention in the S+T+ARTS Prize 2025, celebrating innovation at the intersection of art, science, and technology. The installation transforms seabed data into immersive soundscapes, capturing the rhythms of coral and marine life. Barotti’s work has also been featured through a media partnership with La Stampa, bringing this innovative environmental art to a wider audience. Article by Fabio Sindici in Italian, translation by Art Insider PR.

 

DI/S – Digital Inter/Section, a multiyear project is releasing four case studies of new business models for digital arts organisations and the creative sector. Fabien Fabre and Chroniques, a partner in DIS - Digital Inter/Section, a project supported by Creative Europe emphasizes the importance of rethinking financial strategies and adopting innovative models to support sustainable growth. The research lessons underscore the role of audience engagement in strengthening financial resilience. Through a media partnership the four case studies of new business models for digital arts organizations are also shared on HACNUM platform, a national network for digital arts in France, where these insights are being shared with industry professionals. The study serves as a vital resource for cultural organizations navigating today’s evolving economic landscape.

 
Digital Inter/Section case study on ticketing and audience strategy, shared on XRMust’s platform.

DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models for digital arts organisations and the creative sector. Some of the key findings include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. Fourth case study:  SIGNAL Festival, new business model targeting ticketing and audience strategy. Through  a media partnership, the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. Its online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 4, Ticketing and Audience strategy - Signal Festival’s pilot project - Prague - Czech Republic, published January 13, 2025.

 

DI/S – Digital Inter/Section, a multi-year project supported by Creative Europe, is releasing four case studies of new business models for digital arts organizations and the creative sector. Some of the key finds include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. Third case study: Experiments with sustainable venue management - KONTEJNERS’ pilot project - Zagreb - Croatia. Through a media partnership the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. Its online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 3, Experiments with sustainable venue management - KONTEJNERS’ pilot project - Zagreb - Croatia, published January 13, 2025.

 

DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models for digital arts organisations and the creative sector. Some of the key finds include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. Second case study:  KIKK exhibition space in Namur, Belgium and the Klub Pavillon. Through a media partnership the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. It’s online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 2, Klub Pavillon - KIKK’s pilot project - Namur - Belgium, published January 13, 2025.

 
People on a stage in discussion

DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models for digital arts organisations and the creative sector. Some of the key finds include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. First case study: CHRONIQUES 2024 in France, and its Market of Digital Imagination Fair (MIN). Through a media partnership the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. Its online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 1, Chroniques 2024 and Market of Digital Imagination Fair, published January 13, 2025.

 

Ricardo Bernardino talks new collection “Sea to Silk” and his collaboration with Michel Deville with Mundane Magazine’s Luca Di Fabio.

“I am attracted by colorful art with distinct forms and figures. Artists like Niki de Saint Phalle and Camille Walala inspire me with the vibrant energy and bold creativity of their work” says Ricardo Bernadino.

Ricardo Bernardino discussing his 'Sea to Silk' collection and collaboration with Michel Deville on Paris Underground Radio.

Meet fashion designer Ricardo Bernardino in episode 24 of City of Muses by Paris Underground Radio. Bernardino talks about his participation in Paris Fashion Week 2024 and his capsule collection Sea to Silk, a collaboration with the Swiss artist Michel Deville. Each week, City of Muses host Jennifer Geraghty sits down with contemporary artists, poets, dancers, designers, and performers to explore what inspires them, what their creative processes are like, where their ideas come from, and how Paris has helped or hindered their dreams come true. Inspiration and creativity meet in Paris, the City of Muses!

Ingela Ihrman featured on SVT Kultur, discussing her exhibition at Malmö Konsthall

In the news, reportage about Ingela Ihrman at Malmö Konsthall on SVT Kultur, October 3, 2023. Reporter Dennis Dahlqvist.

The Art Bystander was a launched in early 2022. The podcast focus on the individuals who drive the art industry today and tomorrow; from artists to gallerists, curators, financial backers, advisors, collectors, and more. Listen to the conversation with CHART’s Director Julie Quottrup Silbermann here.

CHART Director Julie Quottrup Silbermann interviewed in Icelandic newspaper Morgunblaðið, discussing the art industry

Art matters in the Nordics. Not only did Icelandic newspaper Morgunblaðið publish a major interview with CHART director Julie Quotrupp Silberman, they also chose to publish it in their Thursday edition that is distributed free in Reykjavik.

 

Artnote’s Karolina Modig in conversation with artists Anna Ling about her exhibition at Lunds konsthall summer 2023. Read the full conversation here.

Jag var ute och gick sent på kvällen och såg hur speglingarna i havsytan blev som en metamorfos av himlen, rymden och havet. Maneterna blev till något slags nebulosor, en stjärnhimmel.
— Anna Ling
 
Miguel Andrade Valdez' house and studio in Lima in T Magazine. text by By Michael SnyderPhotographs by Ivan Salinero Aug. 9 and in print Aug. 21, 2022

In the years since Andrade and Ortega met in 2018, the house has been transformed from a Brutalist mass into something more precise and humane. Together, they sheathed the structure’s second floor in pale pink washed terrazzo, dissolving the heavy box into a Cubist cloud. To keep from overstimulating himself, Andrade initially left most of the interiors blank, though they’re now filled with prototypes made by a design collective called Taller Tarapacá that he and Ortega founded in 2019 along with the 32-year-old industrial designer Paula Cermeño León (who helped Andrade turn his first sketches for the house into usable plans) and the 35-year-old textile designer Mozhdeh Matin. (Michael Snyder NYT T Magazine, Aug. 9, 2022)

 
A man talks about paintings at an exhibition

Perfect Guide SVD listar: Sommarens 5 bästa konstupplevelser.

Put Wanås Konst on your bucket list, a stunning non-profit sculpture park in the grounds of a medieval castle in Sweden, writes Clara Le Fort in Billionaire Magazine.

A Swedish museum seeks to spotlight the artistic qualities of fashion photography. Clara Le Fort on Falsterbo Photo Art Museum.

“All these pioneering photographers explored the relationship between art and fashion: they were instrumental in establishing photography as an artform where popular culture, haute couture, street style, representations of beauty and gender issues were mixed and challenged. They opened the door to new aesthetics, raised social issues, embraced new ideals”, explains Claes Lindquist.

Radio program in Swedish. Artist Sophie Tottie talks about responsibility and freedom.

On the radio: Sophie Tottie talks about her exhibition AiWHETL at the Royal Academy with Arndtzén, and about the koncepts of responsibility and freedom in art.

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